Know
Hanne Darboven
Nancy Holt
Gerald Jackson
Alfred Jensen
Paul Neagu
William T. Wiley
Terry Winters

April 12 – May 17, 2025

Measurement is an abstraction. To delimit and interpret the world through a rational system of measurement is to distance yourself from it. These problems are known, but their concerns and proofs have become exceedingly granular over time. You magnify and observe and record this experience. It is quantified. Its interpretation is contingent upon its communication. Its communication is contingent upon its measurement. This has nothing to do with infinity.

Language too approximates an understanding of an interpretation of an experience. It shapes itself and determines its own limits. Alone it purports the ability to describe or classify almost anything, to assign meaning or significance, and when paired with numerical data it adopts a greater air of objectivity.1 We know as much. Similar to numbers, language can be organized or compartmentalized or protracted to such a degree as to become unrecognizable.

To describe is to define is to distance. I know this because.

Time can be tracked however you like. It is easily reducible to numbers and equally so to other nonrepresentational forms, both of which may exist simultaneously as time’s visual and logical manifestation. Language has trouble with the logic of time and the experience of its passing. History as experienced by you or them or any other person may collapse before it is properly accounted for.2

Constructing a new system inevitably undermines the neutral empiricism claimed by another. These systems exist in parallel and need not be synthesized.*

1 In the 1960 US census, Hammond, Illinois had a population of 471. Hammond, Indiana was home to 111,698. And Hammond, Kansas was a ghost town.1 2

    1 The structures which supported its modest population and defined this town as such largely burned down on May 19, 1919. Its vestigial post office closed on July 26, 1968, officially designating the town as extinct.1 Hammond still exists by nature but not by law.2 Its residents are no longer reducible to data because according to data they no longer exist.3

      1 That same day in 1968, the UK Parliament accepted a report by the Standing Joint Committee on Metrication. Building upon existing efforts and preliminary adoptions by many corporations and other nongovernmental entities, the government set an official goal for total national conversion from imperial units to the metric system by 1975. This goal was not met.

      2 This is only partially due to the area’s unincorporated status, which by design complicates its definition geographically, legally, and numerically.

      3 Erasure of populations is not a new phenomenon in the territory now known as Kansas. However, it was usually accomplished by violent means, not clerical.

    2 The same goes for Hammond, West Virginia, once home to the revered Hammond Fire Brick Company. Hammond fire clay bricks were awarded for their quality and durability at Chicago’s second World’s Fair in 1933: the Century of Progress International Exposition. They are said to have been used in the construction of the Empire State Building, the Flatiron Building, and the first Ford automobile factory in Detroit. In 1950, 31 years after the destruction of the homonymous town in Kansas, the Hammond brick factory also burned down, eliminating the sole purpose for this company town’s existence, and effectively eradicating it. This was believed to be an act of arson motivated by insurance fraud. The suspect later committed suicide to evade arrest.

2 History and myth here are naturally entangled. Each is facilitated by collateral systems of language, data, quantification, knowledge production and time. History begets myth. Of course, the inverse is just as true. This we know. There is not a rigid or systematic way in which this relationship is built. At its core(s) it is nebulous. And so it slips, through and around and out of time. Like particles, to observe myth and measure history is to fix them temporarily, at once removing them from and wedging them deeper into the fabric of time. This is not a space for answers.

* To transcend something it must first be apprehended. Maybe. Approached, certainly. To comprehend something is a separate task, a difficult one, in which all that we know, in here and out there, up there and down here too, becomes it. I know this because—

Nancy Holt
Hammond, 1969
Ink on paper
16 1/4 x 12 1/4 inches (framed)
41.3 x 31.1 cm (framed)

Nancy Holt
Hammond, 1969
Ink on paper
16 1/4 x 12 1/4 inches (framed)
41.3 x 31.1 cm (framed)

Terry Winters
Thyreos, 2020
Oil, wax and resin on linen
90 1/8 x 70 1/4 inches (framed)
228.9 x 178.4 cm (framed)

Terry Winters
Thyreos, 2020
Oil, wax and resin on linen
90 1/8 x 70 1/4 inches (framed)
228.9 x 178.4 cm (framed)

William T. Wiley
Walking the Eel, 1970
Watercolor and ink on paper
28 5/8 x 36 1/2 inches (framed)
72.7 x 92.7 cm (framed)

William T. Wiley
Walking the Eel, 1970
Watercolor and ink on paper
28 5/8 x 36 1/2 inches (framed)
72.7 x 92.7 cm (framed)

Hanne Darboven
Untitled (Wordless), 1973
7 booklets (210 pages in total), pencil and felt tip pen on paper, bound (cord binding)
8 1/4 x 5 7/8 x 1 inches
21 x 14.9 x 2.5 cm

Hanne Darboven
Untitled (Wordless), 1973
7 booklets (210 pages in total), pencil and felt tip pen on paper, bound (cord binding)
8 1/4 x 5 7/8 x 1 inches
21 x 14.9 x 2.5 cm

Hanne Darboven
Untitled (Wordless), 1973
7 booklets (210 pages in total), pencil and felt tip pen on paper, bound (cord binding)
8 1/4 x 5 7/8 x 1 inches
21 x 14.9 x 2.5 cm

Gerald Jackson
Untitled, 2019
Acrylic and mixed media on found panel
35 x 21 1/8 inches (framed)
88.9 x 53.7 cm (framed)

Gerald Jackson
Untitled, 2019
Acrylic and mixed media on found panel
35 x 21 1/8 inches (framed)
88.9 x 53.7 cm (framed)

Hanne Darboven
Dostojewski, Monat Januar / Dostojewski, month of January, 1990
Ink and gelatin silver print collage on paper, in 16 parts
35 3/8 x 46 1/2 inches overall (framed)
90 x 118 cm overall (framed)

Hanne Darboven
Dostojewski, Monat Januar / Dostojewski, month of January, 1990
Ink and gelatin silver print collage on paper, in 16 parts
35 3/8 x 46 1/2 inches overall (framed)
90 x 118 cm overall (framed)

Nancy Holt
Untitled, 1973
Grommets and foamcore in acetate box frame
20 1/4 x 16 3/8 x 2 3/8 inches
51.4 x 41.6 x 6 cm

Nancy Holt
Untitled, 1973
Grommets and foamcore in acetate box frame
20 1/4 x 16 3/8 x 2 3/8 inches
51.4 x 41.6 x 6 cm

Alfred Jensen
Twin Children of the Sun VI, 1974
Oil on canvas
24 x 60 3/8 inches (framed)
61 x 153.4 cm (framed)

Alfred Jensen
Twin Children of the Sun VI, 1974
Oil on canvas
24 x 60 3/8 inches (framed)
61 x 153.4 cm (framed)

William T. Wiley
In the Universe, 1971
Ink and watercolor on paper
17 x 21 inches (framed)
43.2 x 53.3 cm (framed)

William T. Wiley
In the Universe, 1971
Ink and watercolor on paper
17 x 21 inches (framed)
43.2 x 53.3 cm (framed)

Paul Neagu
Hyphen-Ramp (588 Riots at the Serpentine), 1976
Performance by Paul Neagu and Perry Robinson, Serpentine Gallery, December 1976
16mm film with color, sound, transferred to DVD format, 7:56 min

Paul Neagu
Hyphen-Ramp (588 Riots at the Serpentine), 1976
Performance by Paul Neagu and Perry Robinson, Serpentine Gallery, December 1976
16mm film with color, sound, transferred to DVD format, 7:56 min

Paul Neagu
Going Tornado, 1974
Live performance at the Grampian TV Studio, Aberdeen, Scotland
Color video with sound, transferred to DVD format, 39:55 min

Alfred Jensen
#11. Wherein the numerals 11 & 15 occur, 1976
Oil on paper board
33 1/4 x 43 1/8 inches (framed)
84.5 x 109.5 cm (framed)

Alfred Jensen
#11. Wherein the numerals 11 & 15 occur, 1976
Oil on paper board
33 1/4 x 43 1/8 inches (framed)
84.5 x 109.5 cm (framed)